Gregory is a first-class teenager, technically gifted and playful, and plays a key role in the theater to attract a large old man named James. So James takes him under his care and drives him to discover his talent and art. But Gregory will soon become preoccupied with the return of his drug addict father.
One of the film's greatest strengths is its complex depictions of male relationships - among them: father to son, son to father, brother to brother, lover to young man, and young man to lover.
Jones is impressive in a film that depends largely on his performance. He shows us that there's more going on than internalised homophobia or fear of compromising religious beliefs.
There are more than a few horny devils on the island, and Bahamian director Maria Govan has a large enough spirit to accept them for who they are before matters turn dire.